Born Warren Braedon in Alice Springs in 1973, Louis was taken from his mother as a baby and adopted by a Perth couple, Bill and Pauline Johnson. In 1992, walking home after celebrating his 19th birthday, he was beaten up and run over by two white youths, who attacked him “because he was black”, they told police.
Although Louis had multiple injuries, an ambulance took him home rather than to the hospital, with the crew dismissing him as a petrol sniffer. He died a few hours later.
What developed into the multi-award-winning Broken Circles was suggested and funded by the Johnsons, who wanted to understand the bigger picture. The book made a deep impact on Australians black and white, and 15 years on is still considered the definitive work on the Stolen Generations.
Haebich, though, is keenly conscious of our capacity to forget troubling events in Australia’s recent past. She hopes A Boy’s Short Life will help to educate a new generation.
Another reason for revisiting Louis’s story—which also inspired a 2007 documentary, Liyarn Ngarn—is that the practices “didn’t stop, they just took a new form”, Haebich feels.
The disproportionately high rate of Aboriginal youths in detention and children in foster care, she says, is “just another way of breaking up families and removing kids because they’re black”.
For the Stolen Generations, it has proved therapeutic, Haebich believes.
Stolen children have drawn comfort from the realisation that they are part of a shared history of Aboriginal people across Australia. They have also come to understand that their parents—far from abandoning them, as many were told—tried their utmost to get them back.
Broken Circles has helped them to make sense of their subsequent experiences, including the cruelty they suffered in institutions and, for some, addictions such as alcoholism. And it “opened them up to the possibility of healing”, spurring many to seek out their birth parents, says Haebich.
The book has resonated with white readers, too, assisting them in “facing up to the past, and going beyond the shock and weeping to seek some sort of reconciliation”.
Haebich says she hopes her work has played a part in “healing the broken circles of our national life”.