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The Australian Academy of the Humanities argues that Australia’s graduates need more than technical knowledge. Universities must equip students with the critical thinking, communication, ethical reasoning, cultural understanding and adaptability needed to thrive in changing careers, strengthen Australia’s sovereign capability and contribute to a resilient society.

For the most part, researchers studying Australian history use English language sources. In his latest research project, Professor Adrian Vickers FAHA illuminates the vast quantity of historical sources in languages other than English — providing a more nuanced and richer picture of Australia’s past.

Professor Debbie Bargallie FAHA, a descendant of the Kamilaroi and Wonnarua Aboriginal peoples of New South Wales and of the Punjab Langrial Muslim Jat clan, is a critical race scholar whose research interrogates links between employment, race, identity, and power, with a particular focus on institutional contexts.

Australia’s cultural and creative industries contribute $67.4 billion in economic activity and employ more than 591,000 people. No other country can produce Australian culture. But the policy settings, education pipeline, and governance structures that nurture and sustain Australian culture are under real pressure.

Imagination and creativity, and the culture and arts that we associate with them, are often treated as luxuries. Yet, if we want to build a better future and respond to contemporary challenges, harnessing imagination should be treated as a first principle, argues Professor Katie Barclay FAHA, a historian of emotion, imagination, and human flourishing.

Professor Caillan Davenport FAHA explains why the stories ordinary Romans told about their leaders are more than entertaining anecdotes. His 2026 book Behind Caesar’s Back explores over 700 years of gossip, jokes, taunts, graffiti and rumour revealing that they are rich sources that help us understand Roman political culture and the lives of the people that circulated these juicy tales.

Governess and accountant for Parramatta graziers, John and Elizabeth Macarthur, Penelope Lucas left precious little written in her own hand about her own life. Alan Atkinson FAHA considers the challenges of writing the biography of an essentially silent historical figure. The result is an experiment in historical method, using insights from other disciplines in an attempt to understand the way his subject understood and managed her world.

Acknowledgement of Country

The Australian Academy of the Humanities recognises Australia’s First Nations Peoples as the traditional owners and custodians of this land, and their continuous connection to country, community and culture.