Lyndal Roper has made history as the first Australian awarded the Holberg Prize — who is she?

Australian historian Lyndal Roper FAHA is the first Australian to win the Holberg Prize, often considered the “Nobel Prize of the humanities.” So who is Lyndal Roper? Professor Charles Zika FAHA, Professor Katie Barclay FAHA, and Professor Susan Broomhall FAHA explore the life and scholarship of their colleague, and what her research tells us about the past, and ourselves.

Wandering bands of insurgents during the German Peasants’ War. Source: Wikipedia.

Last week, Australian historian Lyndal Roper FAHA was awarded the Holberg Prize for 2026, one of the largest international prizes awarded annually to an outstanding researcher in the humanities, social sciences, law or theology. This highly prestigious prize is worth 6 million Norwegian kroner or almost AUD $900,000.

The Prize described Roper as “pioneering” the study of German history, women’s history and “how gender, the body, psyche and power operated in social and religious conflicts of the sixteenth century.”

So, who is this scholar who has won what is considered to be equivalent to a Nobel Prize? And what does her research tell us about the past, and ourselves?

Australian beginnings

Historian Lyndal Roper FAHA, photographed by John Cairns via the Holberg Prize. 

Born in Melbourne, Lyndal Roper received her initial training in history (as well as philosophy) while completing a Bachelor of Arts (Hons) at the University of Melbourne, where she specialised in the German Reformation.

In 1978, Roper left Australia to do postgraduate research at the University of Tübingen in Germany on a German Academic Exchange Scholarship. Roper was immediately taken with Germany — German history would become the focus of much of her scholarship — and she would remain in Europe for the rest of her career.

Despite her time overseas, in an ABC interview in 2017, Roper described herself as “a Melbourne girl”, and she has continued to maintain close links with Australia and the Australian academic community.

She completed her doctoral thesis at King’s College, University of London in 1985. Her dissertation on women and morals in Reformation Augsburg was supervised by an Australian, Bob Scribner, originally from the University of Sydney and fast becoming a leading new light in German Reformation research.

Scribner’s historical approach which focused on social and cultural history and involved close attention to popular practice, the critical role of gender, and attention to visual as well as textual forms of communication and propaganda was clearly attractive to a young Lyndal Roper.

It formed the basis of her first book, The Holy Household: Women and Morals in Reformation Augsburg (1989), which highlighted that while the Reformation may have brought progressive reform for men, women were subjected to a moral crusade that restricted their social and economic positions.

A clear theme across Roper’s work is her sensitivity to human experience. Her work proposes taking seriously how our bodies, emotions, childhood experiences and relationships form the person, and so influence wider behaviours and social action.

Lyndal Roper held numerous positions across the United Kingdom, and has been critical to ensuring the visibility and viability of gender in historical work. She established, with Amanda Vickery, the Bedford Centre for the History of Women and Gender at Royal Holloway, University of London, where she was made Professor in 1999.

In 2002 she moved to Balliol College, Oxford, and in 2011 was appointed the first female Regius Professor at Oriel College Oxford.

Witches, witch hunts & the Reformation

The cover of Witch Craze: Terror and Fantasy in Baroque Germany, 2004.

In the 1990s, Roper’s research turned more to exploring the role of the body, fantasy and dreams, and the emotional and psychic worlds of early modern Europe. Some of these interests may have been seeded in her earlier family experiences. Her mother, Ailsa Roper, was a teacher and lecturer at the Melbourne College of Advanced Education and had a strong interest in psycho-drama.

Such issues came to life over a decade and more through the publication of Dreams and History (2003) and three acclaimed books exploring the phenomenon of the witchhunt in early modern Germany: Oedipus and the Devil: Witchcraft, Sexuality and Religion in Early Modern Europe (1994); Witchcraze: terror and fantasy in baroque Germany (2004); Witchcraft and the Western Imagination (2012). In these books she analysed hundreds of trial records from southern Germany, demonstrating how fear, fertility, motherhood and aging underpinned accusations of witchcraft, and continue to shape our understandings of the “witch”. In the last she also explored visual representations to consider the symbolic power of this female figure and how it shaped the hearts and minds of its viewers.

But topics that were traditionally more central to the Reformation story were never far away. In works such as and Living I Was Your Plague: Martin Luther’s World and Legacy (2021), Roper considered Luther’s carefully crafting of his own image, the contrast between his fat or stout presence and the more ascetic thin body of his fellow reformer Philip Melanchthon, how he projected the idea of authority, and his use of florid and even vulgar language as a tool of a certain kind of self and public performance.

Roper also explores Luther’s own experience of his feeling body, and its relation to his views about sexuality, perspectives on women’s role in society, and the implications of his complex personality for the Reformation that followed and its consequences for European society.

Roper’s biography of Luther, Martin Luther: Renegade and Prophet (2016), was preceded by a widely discussed article in the American Historical Review, “Martin Luther’s Body: The ‘Stout Doctor’ and His Biographers” and a short booklet in German, Der feiste Doktor (2012). This widely celebrated 2016 book was commended for the virtuosity of its archival research, its elegant style and nuanced insights into a complex subject.

Shining a light on forgotten history

The “Summer of Fire and Blood” by Lyndal Roper won the 2025 Cundill Prize.

This work was followed by the highly acclaimed Summer of Fire and Blood: The German Peasants’ War (2025), which won the prestigious Cundill History Prize.

In describing the key purpose of her work, Roper told the Holberg Committee: “Over the course of my career, I’ve been trying to do history from below, that is, I wanted a history that would include the voices of ordinary people, of all kinds, colours and classes, and of women in particular. I wanted new historical narratives that were not about great men and giant events.”

Summer of Fire and Blood represented a spectacular study of the greatest popular uprising in Western Europe before the French Revolution, though it is far less known than the latter. Roper’s scholarship brought the enormity of the German Peasant’s War, which led to the deaths of possibly 100,000 peasants and farmers, into focus. The uprising has been a fraught topic in Reformation scholarship because of the continuing divisions between East and West Germany both before and after unification in 1989-91.

Uniquely, the book is told through the voices of the peasants themselves, detailing their experiences and emotions as a small movement grew to a fever pitch, demanding a new and more egalitarian order.

In the foreword of the book, Roper states, “the peasants’ story matters. It can help us see new answers to questions that confront us today. It also discloses a radical Reformation, whose theological, social and political vision could have taken history in a very different direction. This is the Reformation we have lost sight of, and this is why we need to understand what drove the peasants. For what mattered to them also matters to us.”

The notion of brotherhood among peasants was a critical element of the research, as was a 600+ km bike ride through Germany undertaken by Roper that mirrored the pace and movement of the peasants and their uprising, and allowed Roper to view the battle scars — from crumbling tower foundations to evidence of dug-out trenches.

Roper’s scholarship was also influential in Australia, not least informing scholarship under the banner of what would become known as ‘the History of Emotions’. She was on the Advisory Board of the Australian Research Council Centre of Excellence for the History of Emotions (2011-2022) and worked closely with the Centre as its scholars became international leaders in the study of emotions as historically and culturally specific phenomena. These relationships have continued and remain productive.

Lyndal is an imaginative and exciting scholar, whose work amplifies the voices, experiences and emotions of the everyday person — young and old, woman or man — throughout major changes in European history.

About the authors

Professor Charles Zika FAHA graduated from the University of Melbourne with majors in History and Middle Eastern Studies. He continued his postgraduate studies at the University of TÜbingen, West Germany, where he researched and wrote an MA (submitted to the University of Melbourne) on the German humanist Johann Reuchlin and the Renaissance occult tradition at the turn of the sixteenth-century. After a year as a Teaching Fellow at Monash University, he took up a Lectureship in History at the University of Melbourne. His publications have been in European history between the fifteenth and seventeenth-centuries, and have covered such areas as humanism and magic, the German Reformation, the social construction of knowledge, sexuality and moral order, religious practices and authority, folklore and celebrations of the past, the body and cannibalism, and images of witchcraft.

Professor Katie Barclay FAHA is a historian with a particular specialisation in the History of Emotions, and its intersections with gender, and family life. Her work has been at the forefront of methodological developments in the ‘emotional turn’ within the context of historical research. She is especially interested in exploring how emotion operates to shape and as a social structure, and so emotion as a dynamic within power relationships. Her empirical research focuses on Europe, particularly Scotland and Ireland, and she has written on every century between the twelfth and the present day.

Professor Susan Broomhall FAHA is a graduate of The University of Western Australia (BA Hons, 1996; PhD 1999; DipArts 2020), of the Centre d’Etudes Supérieures de la Renaissance attached to Université François-Rabelais in Tours, France (Diplôme d’Etudes Approfondies, 2000) and of the University of New England (MA 2023; DipArts 2023). She has primarily published in the field of women and gender in the early modern world. Her books on women and gender in the book trade, in medical and natural philosophical knowledge, in religion, in agricultural and environmental history, and in historiography, heritage and tourism brought a feminist analysis to innovations of, primarily, the early modern world. She has a continuing interest in early modern women’s writings and has published several modern editions of sixteenth-century Frenchwomen’s prose.

 

Acknowledgement of Country

The Australian Academy of the Humanities recognises Australia’s First Nations Peoples as the traditional owners and custodians of this land, and their continuous connection to country, community and culture.